Subject: Good stuff

From: "RA store online" <[email-masked]>
Date: Thu, 13 Sep 2007 03:05:47 +0100

They have largely ignored the first-person explanation — the life story that people themselves tell about who they are, and why.
Good day Josie.
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By better understanding how life stories are built, this work suggests, people may be able to alter their own narrative, in small ways and perhaps large ones. Psychologists know what life stories look like when they are fully hatched, at least for some Americans. The entire two-hour session is recorded and transcribed. In analyzing the texts, the researchers found strong correlations between the content of people’s current lives and the stories they tell. With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery.

In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors. Success may not have spoiled Mr. Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films.

Idriss Abdoulaye sells water from a pushcart for 20 naira a jerry can, about 15 cents, to people like himself, too poor to have wells. He makes about $2 a day, and cannot afford to send his sons to school. That DreamWorks ogre’s skin is the color of money after all. Will he take over his father-in-law’s business or remain true to his vocation of bellowing and smashing things? Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films.

As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun. When the moneyed inner-city entrepreneur Quentin Leroux (Harry Lennix) builds a lavish competitor called Nappy Cutz right across the street from Calvin's shop, the battle is on — Calvin has to fight to keep his business alive.

The bittersweet aspects of the film add texture, though they can't supplant the lack of comedy; there were more laughs in Ice Cube's last picture, "Torque." Characters don’t just walk in this film; they float across the frame, pouring like liquid toward their inexorable destinies. Big Momma's House gained considerable pre-production publicity when Lawrence fell into a coma while jogging in a heat wave before the film's start date; Lawrence claimed that he was trying to lose weight to fit more comfortably into his character's "fat suit." But if you like Lyle Lovett songs, Thomas McGuane novels and sardonic country yarns sung by grizzled Texan “outlaws,” you’ll have no trouble slipping into its easygoing groove, fortified by its country-rock soundtrack. nusscoco nocalsch-archive888lists.ietf.orgmo The attractive stranger at the airport bar hears one version, the parole officer another, and the P.T.A. Yet in the past decade or so a handful of psychologists have argued that the quicksilver elements of personal narrative belong in any three-dimensional picture of personality. Researchers have found that the human brain has a natural affinity for narrative construction.

“This meaning-making capability — to talk about growth, to explain what something says about who I am — develops across adolescence.” They also describe several crucial scenes in detail, including high points (the graduation speech, complete with verbal drum roll); low points (the college nervous breakdown, complete with the list of witnesses); and turning points. They flunked sixth grade but met a wonderful counselor and made honor roll in seventh.

In broad outline, the researchers report, such tales express distinctly American cultural narratives, of emancipation or atonement, of Horatio Alger advancement, of epiphany and second chances. Jonathan Adler, a researcher at Northwestern, has found that people’s accounts of their experiences in psychotherapy provide clues about the nature of their recovery.Adler reported on 180 adults from the Chicago area who had recently completed a course of talk therapy. Yet Mr.Adler found that in fact those former patients who scored highest on measures of well-being — who had recovered, by standard measures — told very similar tales about their experiences. They described their problem, whether depression or an eating disorder, as coming on suddenly, as if out of nowhere. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. Unless the Shrek team wants to follow its hero into the dangerous swamps of mid-life, thus shifting his literary pedigree away from William Steig and in the direction of John Updike or Philip Roth, it may want to leave him in a condition of more-or-less happily ever after.

But then again, so did my kids.) If ever a movie had a case of the blues and the blahs, it’s “Spider-Man 3,” the third and what feels like the end of Sam Raimi’s big-screen comic-book adaptations. The story this time unfolds as a series of increasingly dreary and teary melodramatic encounters regularly interrupted by special-effects-laden fights. But although Ice Cube's business sense is right on the money, the minor surprises of the first film are gone.

The prowling camera and dusky colors give much of “Zoo,” which opens with the portentous image of what appear to be miners emerging from a tunnel, a sumptuous, almost velvety look and vibe, an effect enhanced by the repeated use of slow-motion photography. Characters don’t just walk in this film; they float across the frame, pouring like liquid toward their inexorable destinies. Instead they go to a Koranic school, where they learn the Koran by rote. Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors. (This may be why I liked it better than the others.

After exploring the predominance of violence in American culture in Bowling for Columbine and taking a critical look at the September 11th attacks in Fahrenheit 9/11, activist filmmaker Michael Moore turns his attentions towards the topic of health care in the United States in this documentary that weighs the plight of the uninsured against the record profits of the pharmaceutical industry. If ever a movie had a case of the blues and the blahs, it’s “Spider-Man 3,” the third and what feels like the end of Sam Raimi’s big-screen comic-book adaptations. Idriss Abdoulaye sells water from a pushcart for 20 naira a jerry can, about 15 cents, to people like himself, too poor to have wells. For all I know, there may be an endless supply of “Shrek” sequels in the pipeline.