Subject: April, I'll get one for Allen

From: "Lucille 53" <[email-masked]>
Date: Tue, 25 Sep 2007 22:24:48 +0400

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Jonathan Adler, a researcher at Northwestern, has found that people’s accounts of their experiences in psychotherapy provide clues about the nature of their recovery. Yet Mr.Adler found that in fact those former patients who scored highest on measures of well-being — who had recovered, by standard measures — told very similar tales about their experiences. “The story is one of victorious battle: ‘I ended therapy because I could overcome this on my own,’ ” Mr.Adler said. Mental resilience relies in part on exactly this kind of autobiographical storytelling, moment to moment, when navigating life’s stings and sorrows. They tested levels of conscious and unconscious hostility after the recollections, using both standard questionnaires and students’ essays.

The way people replay and recast memories, day by day, deepens and reshapes their larger life story. This particular calamity — at least the third such conviction of vegan parents in four years — may be largely due to ignorance. Protein deficiency is one danger of a vegan diet for babies. Nutritionists used to speak of proteins as “first class” (from meat, fish, eggs and milk) and “second class” (from plants), but today this is considered denigrating to vegetarians.

Idriss Abdoulaye sells water from a pushcart for 20 naira a jerry can, about 15 cents, to people like himself, too poor to have wells. But there is nonetheless a feeling of finality about “Shrek the Third,” a sense that the tale has at last reached a state of completion. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. kommazone nocalsch-archive888lists.ietf.orgmo The current installment finds him faced with impending fatherhood and something of a career crisis. (This may be why I liked it better than the others.

But then again, so did my kids.) If ever a movie had a case of the blues and the blahs, it’s “Spider-Man 3,” the third and what feels like the end of Sam Raimi’s big-screen comic-book adaptations. Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films. The story this time unfolds as a series of increasingly dreary and teary melodramatic encounters regularly interrupted by special-effects-laden fights. When the moneyed inner-city entrepreneur Quentin Leroux (Harry Lennix) builds a lavish competitor called Nappy Cutz right across the street from Calvin's shop, the battle is on — Calvin has to fight to keep his business alive. The cinematographer, Sean Kirby, has done some striking work here. When a bank robber escapes from prison and goes on a violent crime spree, Malcolm is assigned to bring him in. Venture capitalist: that’s the misleading job description preferred by the title character of the slight and silly “Wendell Baker Story.” Wendell (Luke Wilson), a cheerful Texan slacker, runs a profitable operation on the Tex-Mex border selling fake driver’s licenses to illegal migrant workers. Written by Luke Wilson, who directed with his older brother Andrew, it also stars a third brother, Owen, as Wendell’s nemesis.

Smirks are to be had, but no belly laughs. The attractive stranger at the airport bar hears one version, the parole officer another, and the P.T.A. McAdams, a professor of psychology at Northwestern and author of the 2006 book, “The Redemptive Self.” “Well, we find that these narratives guide behavior in every moment, and frame not only how we see the past but how we see ourselves in the future.”

They also describe several crucial scenes in detail, including high points (the graduation speech, complete with verbal drum roll); low points (the college nervous breakdown, complete with the list of witnesses); and turning points. They were laid low by divorce, only to meet a wonderful new partner. In broad outline, the researchers report, such tales express distinctly American cultural narratives, of emancipation or atonement, of Horatio Alger advancement, of epiphany and second chances. Yet the research so far suggests that people’s life stories are neither rigid nor wildly variable, but rather change gradually over time, in close tandem with meaningful life events. And eventually they conquered it. To them, therapy was part of a continuing adaptation, not a decisive battle. “What our experiment showed is that this shift in perspective, having this distance from yourself, allows you to relive the experience and focus on why you’re feeling upset,” instead of being immersed in it, said Ethan Kross, the study’s lead author. The way people replay and recast memories, day by day, deepens and reshapes their larger life story. You cannot create and nourish a robust baby merely on foods from plants.

The fact remains, though, that humans prefer animal proteins and fats to cereals and tubers, because they contain all the essential amino acids needed for life in the right ratio. Responsible vegan parents know that breast milk is ideal. It contains many necessary components, including cholesterol (which babies use to make nerve cells) and countless immune and growth factors.

With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery. The current installment finds him faced with impending fatherhood and something of a career crisis. But then again, so did my kids.) " — and meaning it — should produce a lot more laughs than this intermittently amusing sequel. It is, rather more coyly, also about a man who died from a perforated colon after he arranged to have sex with a stallion. Malcolm Turner (Martin Lawrence) is an FBI agent who is a master of disguise and will stop at nothing to get his man. However, the house is owned by Big Momma (Ella Mitchell), an older woman with a sharp tongue and no patience for back talk, and when Big Momma has to leave town, it leaves her house suspiciously empty. She, however, is running out of patience with his protracted adolescence. The appeal of “The Wendell Baker Story” depends on how charming you find the Wilson brothers, with their chipmunk grins and hip smart-aleck attitude.

For more than a century, researchers have been trying to work out the raw ingredients that account for personality, the sweetness and neuroses that make Anna Anna, the sluggishness and sensitivity that make Andrew Andrew. They have largely ignored the first-person explanation — the life story that people themselves tell about who they are, and why. He makes about $2 a day, and cannot afford to send his sons to school.

Instead they go to a Koranic school, where they learn the Koran by rote. Unless the Shrek team wants to follow its hero into the dangerous swamps of mid-life, thus shifting his literary pedigree away from William Steig and in the direction of John Updike or Philip Roth, it may want to leave him in a condition of more-or-less happily ever after.

Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films. The story this time unfolds as a series of increasingly dreary and teary melodramatic encounters regularly interrupted by special-effects-laden fights. Instead they go to a Koranic school, where they learn the Koran by rote. That DreamWorks ogre’s skin is the color of money after all. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. Will he take over his father-in-law’s business or remain true to his vocation of bellowing and smashing things? Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films.

This film seems to be "All About the Benjamins," to use the title of an Ice Cube action comedy. It is, rather more coyly, also about a man who died from a perforated colon after he arranged to have sex with a stallion. Much has been made of the film’s look, and it’s easy to see why.

The thief's girlfriend Sherry (Nia Long), who is also the mother of his child, lives in a small Southern town, and Malcolm plans to set up a stake-out in the house across the street from Sherry's. She, however, is running out of patience with his protracted adolescence.