Subject: Deidre, do you wanna get 6085.- US$

From: "Rodrigo" <[email-masked]>
Date: Sun, 28 Oct 2007 07:44:28 -0600

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The thief's girlfriend Sherry (Nia Long), who is also the mother of his child, lives in a small Southern town, and Malcolm plans to set up a stake-out in the house across the street from Sherry's. She, however, is running out of patience with his protracted adolescence. Stories are stories, after all. Moreover, the tone, the lessons, even the facts in a life story can all shift in the changing light of a person’s mood, its major notes turning minor, its depths appearing shallow. Generous, civic-minded adults from diverse backgrounds tell life stories with very similar and telling features, studies find; so likewise do people who have overcome mental distress through psychotherapy. 

Researchers have found that the human brain has a natural affinity for narrative construction. “Younger kids see themselves in terms of broad, stable traits: ‘I like baseball but not soccer,’ ” said Kate McLean, a psychologist at the University of Toronto in Mississauga. Those with mood problems have many good memories, but these scenes are usually tainted by some dark detail. In broad outline, the researchers report, such tales express distinctly American cultural narratives, of emancipation or atonement, of Horatio Alger advancement, of epiphany and second chances. 

In a recent study presented at the annual meeting of the Society for Personality and Social Psychology in January, Mr. Adler reported on 180 adults from the Chicago area who had recently completed a course of talk therapy. He said he worries they will end up as poor, illiterate traders like him. For all I know, there may be an endless supply of “Shrek” sequels in the pipeline. With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery.

With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery. Instead they go to a Koranic school, where they learn the Koran by rote.

The current installment finds him faced with impending fatherhood and something of a career crisis. (Ready or not, the studio is talking about a fourth.) Aesthetically and conceptually wrung out, fizzled rather than fizzy, this latest installment in the spider-bites-boy adventure story shoots high, swings low and every so often hits the sweet spot, but mostly just plods and plods along, as if its heart were pumping tired radioactive blood. A movie featuring Ice Cube bellowing "No more profanity. Ice Cube returns as star and executive producer of "Barbershop 2." His Calvin Palmer provides the common sense that holds the shop together, a glue it desperately needs. fondduck nocalsch-archive888megatron.ietf.orgmo It is, rather more coyly, also about a man who died from a perforated colon after he arranged to have sex with a stallion. Much has been made of the film’s look, and it’s easy to see why. In this comedy, a cop assumes a new identity in his valiant battle against crime: an elderly grandmother.

Venture capitalist: that’s the misleading job description preferred by the title character of the slight and silly “Wendell Baker Story.” Wendell (Luke Wilson), a cheerful Texan slacker, runs a profitable operation on the Tex-Mex border selling fake driver’s licenses to illegal migrant workers. Written by Luke Wilson, who directed with his older brother Andrew, it also stars a third brother, Owen, as Wendell’s nemesis. The appeal of “The Wendell Baker Story” depends on how charming you find the Wilson brothers, with their chipmunk grins and hip smart-aleck attitude.

But if you like Lyle Lovett songs, Thomas McGuane novels and sardonic country yarns sung by grizzled Texan “outlaws,” you’ll have no trouble slipping into its easygoing groove, fortified by its country-rock soundtrack. And a burst of new findings are now helping them make the case.People tend to remember facts more accurately if they encounter them in a story rather than in a list, studies find; and they rate legal arguments as more convincing when built into narrative tales rather than on legal precedent. YouTube routines notwithstanding, most people do not begin to see themselves in the midst of a tale with a beginning, middle and eventual end until they are teenagers. Over the years, Dr.McAdams and others have interviewed hundreds of men and women, most in their 30s and older. During a standard life-story interview, people describe phases of their lives as if they were outlining chapters, from the sandlot years through adolescence and middle age. By contrast, so-called generative adults — those who score highly on tests measuring civic-mindedness, and who are likely to be energetic and involved — tend to see many of the events in their life in the reverse order, as linked by themes of redemption. 

Depending on the person, the story itself might be nuanced or simplistic, powerfully dramatic or cloyingly pious. Jonathan Adler, a researcher at Northwestern, has found that people’s accounts of their experiences in psychotherapy provide clues about the nature of their recovery. And eventually they conquered it. Mental resilience relies in part on exactly this kind of autobiographical storytelling, moment to moment, when navigating life’s stings and sorrows. 

In a 2005 study reported in the journal Psychological Science, researchers at Columbia University measured how student participants reacted to a bad memory, whether an argument or failed exam, when it was recalled in the third person. They tested levels of conscious and unconscious hostility after the recollections, using both standard questionnaires and students’ essays. With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery. Instead they go to a Koranic school, where they learn the Koran by rote. But there is nonetheless a feeling of finality about “Shrek the Third,” a sense that the tale has at last reached a state of completion.

Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors. As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun. A movie featuring Ice Cube bellowing "No more profanity But although Ice Cube's business sense is right on the money, the minor surprises of the first film are gone.