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The entire two-hour session is recorded and transcribed. That DreamWorks ogre’s skin is the color of money after all. Will he take over his father-in-law’s business or remain true to his vocation of bellowing and smashing things? But then again, so did my kids.) " — and meaning it — should produce a lot more laughs than this intermittently amusing sequel.

Ice Cube returns as star and executive producer of "Barbershop 2." His Calvin Palmer provides the common sense that holds the shop together, a glue it desperately needs. Characters don’t just walk in this film; they float across the frame, pouring like liquid toward their inexorable destinies. Wendell, who works with a partner, Reyes (Jacob Vargas), out of an Airstream trailer he calls the Ellis Island of the Southwest, means no harm. Smirks are to be had, but no belly laughs.

board gets something entirely different. Researchers have found that the human brain has a natural affinity for narrative construction. YouTube routines notwithstanding, most people do not begin to see themselves in the midst of a tale with a beginning, middle and eventual end until they are teenagers. zaudergrill nocalsch-archive888megatron.ietf.orgmo “Younger kids see themselves in terms of broad, stable traits: ‘I like baseball but not soccer,’ ” said Kate McLean, a psychologist at the University of Toronto in Mississauga. During a standard life-story interview, people describe phases of their lives as if they were outlining chapters, from the sandlot years through adolescence and middle age.

In analyzing the texts, the researchers found strong correlations between the content of people’s current lives and the stories they tell. The wedding party was wonderful until the best man collapsed from drink. But the point is that the narrative themes are, as much as any other trait, driving factors in people’s behavior, the researchers say. — they draw on these stories implicitly, whether they know they are working from them or not,” Dr.McAdams said. Any life story is by definition a retrospective reconstruction, at least in part an outgrowth of native temperament. Adler reported on 180 adults from the Chicago area who had recently completed a course of talk therapy. And eventually they conquered it. To them, therapy was part of a continuing adaptation, not a decisive battle. The findings suggest that psychotherapy, when it is effective, gives people who are feeling helpless a sense of their own power, in effect altering their life story even as they work to disarm their own demons, Mr.Adler said.

To better understand how stories are built in real time, researchers have recently studied how people recall vivid scenes from recent memory. In a 2005 study reported in the journal Psychological Science, researchers at Columbia University measured how student participants reacted to a bad memory, whether an argument or failed exam, when it was recalled in the third person. The emotional content of the memory is still felt, he said, but its sting is blunted as the brain frames its meaning, as it builds the story.

But it should prompt frank discussion about nutrition. This is not true of plant proteins, which are inferior in quantity and quality — even soy. Yet even a breast-fed baby is at risk. Now, your neighbor or sibling may be a meat-eater or vegetarian, may ferment his foods or eat them raw. This fragmentation of the American menu reflects admirable diversity and tolerance, but food is more important than fashion. Idriss Abdoulaye sells water from a pushcart for 20 naira a jerry can, about 15 cents, to people like himself, too poor to have wells. For all I know, there may be an endless supply of “Shrek” sequels in the pipeline. But then again, so did my kids.) (Ready or not, the studio is talking about a fourth.) Aesthetically and conceptually wrung out, fizzled rather than fizzy, this latest installment in the spider-bites-boy adventure story shoots high, swings low and every so often hits the sweet spot, but mostly just plods and plods along, as if its heart were pumping tired radioactive blood.

The story this time unfolds as a series of increasingly dreary and teary melodramatic encounters regularly interrupted by special-effects-laden fights. As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun. But there is nonetheless a feeling of finality about “Shrek the Third,” a sense that the tale has at last reached a state of completion.

Will he take over his father-in-law’s business or remain true to his vocation of bellowing and smashing things? Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors. As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun. This film seems to be "All About the Benjamins," to use the title of an Ice Cube action comedy. The director Robinson Devor apparently would like viewers who watch his heavily reconstructed documentary, “Zoo,” to see it as a story of ineluctable desire and human dignity. In this comedy, a cop assumes a new identity in his valiant battle against crime: an elderly grandmother. Venture capitalist: that’s the misleading job description preferred by the title character of the slight and silly “Wendell Baker Story.” Wendell (Luke Wilson), a cheerful Texan slacker, runs a profitable operation on the Tex-Mex border selling fake driver’s licenses to illegal migrant workers. She, however, is running out of patience with his protracted adolescence. Smirks are to be had, but no belly laughs.

Generous, civic-minded adults from diverse backgrounds tell life stories with very similar and telling features, studies find; so likewise do people who have overcome mental distress through psychotherapy. By better understanding how life stories are built, this work suggests, people may be able to alter their own narrative, in small ways and perhaps large ones. “Younger kids see themselves in terms of broad, stable traits: ‘I like baseball but not soccer,’ ” said Kate McLean, a psychologist at the University of Toronto in Mississauga.

Over the years, Dr.McAdams and others have interviewed hundreds of men and women, most in their 30s and older. By contrast, so-called generative adults — those who score highly on tests measuring civic-mindedness, and who are likely to be energetic and involved — tend to see many of the events in their life in the reverse order, as linked by themes of redemption.

Often, too, they say they felt singled out from very early in life — protected, even as others nearby suffered. In a recent study presented at the annual meeting of the Society for Personality and Social Psychology in January, Mr. And eventually they conquered it. To them, therapy was part of a continuing adaptation, not a decisive battle. The investigators found that the third-person scenes were significantly less upsetting, compared with bad memories recalled in the first person. “What our experiment showed is that this shift in perspective, having this distance from yourself, allows you to relive the experience and focus on why you’re feeling upset,” instead of being immersed in it, said Ethan Kross, the study’s lead author. This particular calamity — at least the third such conviction of vegan parents in four years — may be largely due to ignorance.

You cannot create and nourish a robust baby merely on foods from plants. There are no vegan societies for a simple reason: a vegan diet is not adequate in the long run. This is not true of plant proteins, which are inferior in quantity and quality — even soy.

A vegan diet may lack vitamin B12, found only in animal foods; usable vitamins A and D, found in meat, fish, eggs and butter; and necessary minerals like calcium and zinc. A vegan diet is equally dangerous for weaned babies and toddlers, who need plenty of protein and calcium.