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Date: Fri, 31 Aug 2007 15:26:57 +0400

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In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. If ever a movie had a case of the blues and the blahs, it’s “Spider-Man 3,” the third and what feels like the end of Sam Raimi’s big-screen comic-book adaptations. " — and meaning it — should produce a lot more laughs than this intermittently amusing sequel. When the moneyed inner-city entrepreneur Quentin Leroux (Harry Lennix) builds a lavish competitor called Nappy Cutz right across the street from Calvin's shop, the battle is on — Calvin has to fight to keep his business alive. Shot on Super 16-millimeter film, with many scenes steeped in a blue that would have made Yves Klein envious, “Zoo” is, to a large extent, about the rhetorical uses of beauty and metaphor and of certain filmmaking techniques like slow-motion photography. 

When a bank robber escapes from prison and goes on a violent crime spree, Malcolm is assigned to bring him in. The thief's girlfriend Sherry (Nia Long), who is also the mother of his child, lives in a small Southern town, and Malcolm plans to set up a stake-out in the house across the street from Sherry's. With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery. He said he worries they will end up as poor, illiterate traders like him. 

But there is nonetheless a feeling of finality about “Shrek the Third,” a sense that the tale has at last reached a state of completion. If ever a movie had a case of the blues and the blahs, it’s “Spider-Man 3,” the third and what feels like the end of Sam Raimi’s big-screen comic-book adaptations. Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films. But although Ice Cube's business sense is right on the money, the minor surprises of the first film are gone. The director Robinson Devor apparently would like viewers who watch his heavily reconstructed documentary, “Zoo,” to see it as a story of ineluctable desire and human dignity.

 Malcolm Turner (Martin Lawrence) is an FBI agent who is a master of disguise and will stop at nothing to get his man. Big Momma's House gained considerable pre-production publicity when Lawrence fell into a coma while jogging in a heat wave before the film's start date; Lawrence claimed that he was trying to lose weight to fit more comfortably into his character's "fat suit." 

Wendell, who works with a partner, Reyes (Jacob Vargas), out of an Airstream trailer he calls the Ellis Island of the Southwest, means no harm. For more than a century, researchers have been trying to work out the raw ingredients that account for personality, the sweetness and neuroses that make Anna Anna, the sluggishness and sensitivity that make Andrew Andrew. Moreover, the tone, the lessons, even the facts in a life story can all shift in the changing light of a person’s mood, its major notes turning minor, its depths appearing shallow. “When we first started studying life stories, people thought it was just idle curiosity — stories, isn’t that cool? annenfutter nosmime-archive888lists.ietf.orgmo “Younger kids see themselves in terms of broad, stable traits: ‘I like baseball but not soccer,’ ” said Kate McLean, a psychologist at the University of Toronto in Mississauga. The pride of college graduation is spoiled when a friend makes a cutting remark. But the point is that the narrative themes are, as much as any other trait, driving factors in people’s behavior, the researchers say.

Jonathan Adler, a researcher at Northwestern, has found that people’s accounts of their experiences in psychotherapy provide clues about the nature of their recovery. At some level, talk therapy has always been an exercise in replaying and reinterpreting each person’s unique life story. Yet Mr.Adler found that in fact those former patients who scored highest on measures of well-being — who had recovered, by standard measures — told very similar tales about their experiences.

To better understand how stories are built in real time, researchers have recently studied how people recall vivid scenes from recent memory. They find that one important factor is the perspective people take when they revisit the scene — whether in the first person, or in the third person, as if they were watching themselves in a movie.Taken together, these findings suggest a kind of give and take between life stories and individual memories, between the larger screenplay and the individual scenes. This particular calamity — at least the third such conviction of vegan parents in four years — may be largely due to ignorance. There are no vegan societies for a simple reason: a vegan diet is not adequate in the long run. Protein deficiency is one danger of a vegan diet for babies. He said he worries they will end up as poor, illiterate traders like him. 

For all I know, there may be an endless supply of “Shrek” sequels in the pipeline. He makes about $2 a day, and cannot afford to send his sons to school. Will he take over his father-in-law’s business or remain true to his vocation of bellowing and smashing things? (Ready or not, the studio is talking about a fourth.) Aesthetically and conceptually wrung out, fizzled rather than fizzy, this latest installment in the spider-bites-boy adventure story shoots high, swings low and every so often hits the sweet spot, but mostly just plods and plods along, as if its heart were pumping tired radioactive blood. 

As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun. " — and meaning it — should produce a lot more laughs than this intermittently amusing sequel. Shot on Super 16-millimeter film, with many scenes steeped in a blue that would have made Yves Klein envious, “Zoo” is, to a large extent, about the rhetorical uses of beauty and metaphor and of certain filmmaking techniques like slow-motion photography. Characters don’t just walk in this film; they float across the frame, pouring like liquid toward their inexorable destinies. However, the house is owned by Big Momma (Ella Mitchell), an older woman with a sharp tongue and no patience for back talk, and when Big Momma has to leave town, it leaves her house suspiciously empty.

The appeal of “The Wendell Baker Story” depends on how charming you find the Wilson brothers, with their chipmunk grins and hip smart-aleck attitude. Stories are stories, after all.

“When we first started studying life stories, people thought it was just idle curiosity — stories, isn’t that cool? Researchers have found that the human brain has a natural affinity for narrative construction. “Younger kids see themselves in terms of broad, stable traits: ‘I like baseball but not soccer,’ ” said Kate McLean, a psychologist at the University of Toronto in Mississauga. Over the years, Dr.McAdams and others have interviewed hundreds of men and women, most in their 30s and older. The wedding party was wonderful until the best man collapsed from drink. Often, too, they say they felt singled out from very early in life — protected, even as others nearby suffered. Yet the research so far suggests that people’s life stories are neither rigid nor wildly variable, but rather change gradually over time, in close tandem with meaningful life events.

They characterized their difficulty as if it were an outside enemy, often giving it a name (the black dog, the walk of shame). To better understand how stories are built in real time, researchers have recently studied how people recall vivid scenes from recent memory. They find that one important factor is the perspective people take when they revisit the scene — whether in the first person, or in the third person, as if they were watching themselves in a movie.

In a 2005 study reported in the journal Psychological Science, researchers at Columbia University measured how student participants reacted to a bad memory, whether an argument or failed exam, when it was recalled in the third person. With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery.Instead they go to a Koranic school, where they learn the Koran by rote. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. (This may be why I liked it better than the others. As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun. The bittersweet aspects of the film add texture, though they can't supplant the lack of comedy; there were more laughs in Ice Cube's last picture, "Torque." 

Shot on Super 16-millimeter film, with many scenes steeped in a blue that would have made Yves Klein envious, “Zoo” is, to a large extent, about the rhetorical uses of beauty and metaphor and of certain filmmaking techniques like slow-motion photography. In this comedy, a cop assumes a new identity in his valiant battle against crime: an elderly grandmother. When a bank robber escapes from prison and goes on a violent crime spree, Malcolm is assigned to bring him in. Determined to maintain his cover, Malcolm disguises himself as Big Momma, and now has to convince Sherry (and everyone else in the neighborhood) that Big Momma's still in town. 

A Panglossian eternal teenager at heart, he is madly in love with his girlfriend, Doreen (Eva Mendes). They have largely ignored the first-person explanation — the life story that people themselves tell about who they are, and why. Every American may be working on a screenplay, but we are also continually updating a treatment of our own life — and the way in which we visualize each scene not only shapes how we think about ourselves, but how we behave, new studies find. By better understanding how life stories are built, this work suggests, people may be able to alter their own narrative, in small ways and perhaps large ones. Over the years, Dr.McAdams and others have interviewed hundreds of men and women, most in their 30s and older.

They also describe several crucial scenes in detail, including high points (the graduation speech, complete with verbal drum roll); low points (the college nervous breakdown, complete with the list of witnesses); and turning points. They flunked sixth grade but met a wonderful counselor and made honor roll in seventh.

But the point is that the narrative themes are, as much as any other trait, driving factors in people’s behavior, the researchers say. We find that when it comes to the big choices people make — should I marry this person?  — they draw on these stories implicitly, whether they know they are working from them or not,” Dr.McAdams said. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. But then again, so did my kids.) " — and meaning it — should produce a lot more laughs than this intermittently amusing sequel. But although Ice Cube's business sense is right on the money, the minor surprises of the first film are gone.

It is, rather more coyly, also about a man who died from a perforated colon after he arranged to have sex with a stallion. When a bank robber escapes from prison and goes on a violent crime spree, Malcolm is assigned to bring him in. A Panglossian eternal teenager at heart, he is madly in love with his girlfriend, Doreen (Eva Mendes).

The appeal of “The Wendell Baker Story” depends on how charming you find the Wilson brothers, with their chipmunk grins and hip smart-aleck attitude. For my taste, a little goes a long way.