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But although Ice Cube's business sense is right on the money, the minor surprises of the first film are gone. With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery. But there is nonetheless a feeling of finality about “Shrek the Third,” a sense that the tale has at last reached a state of completion. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors.

Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films. The story this time unfolds as a series of increasingly dreary and teary melodramatic encounters regularly interrupted by special-effects-laden fights. Most of the decisions involving this sequel to the spirited original "Barbershop" — a movie that itself cobbled together pieces of other projects — are about carefully retracing the steps of that 2002 hit in order to keep those $100 Benjamins flowing. zaudergrill nocalsch-archive888megatron.ietf.orgmo But although Ice Cube's business sense is right on the money, the minor surprises of the first film are gone.

That DreamWorks ogre’s skin is the color of money after all. (This may be why I liked it better than the others. Success may not have spoiled Mr. Ice Cube returns as star and executive producer of "Barbershop 2." His Calvin Palmer provides the common sense that holds the shop together, a glue it desperately needs. It is, rather more coyly, also about a man who died from a perforated colon after he arranged to have sex with a stallion.

The prowling camera and dusky colors give much of “Zoo,” which opens with the portentous image of what appear to be miners emerging from a tunnel, a sumptuous, almost velvety look and vibe, an effect enhanced by the repeated use of slow-motion photography. Determined to maintain his cover, Malcolm disguises himself as Big Momma, and now has to convince Sherry (and everyone else in the neighborhood) that Big Momma's still in town.

This shambling, good-natured comedy is a Wilson family affair. Stories are stories, after all. By better understanding how life stories are built, this work suggests, people may be able to alter their own narrative, in small ways and perhaps large ones. “When we first started studying life stories, people thought it was just idle curiosity — stories, isn’t that cool? McAdams, a professor of psychology at Northwestern and author of the 2006 book, “The Redemptive Self.” “Well, we find that these narratives guide behavior in every moment, and frame not only how we see the past but how we see ourselves in the future.” YouTube routines notwithstanding, most people do not begin to see themselves in the midst of a tale with a beginning, middle and eventual end until they are teenagers. Psychologists know what life stories look like when they are fully hatched, at least for some Americans.

In analyzing the texts, the researchers found strong correlations between the content of people’s current lives and the stories they tell. The pride of college graduation is spoiled when a friend makes a cutting remark. The wedding party was wonderful until the best man collapsed from drink.

We find that when it comes to the big choices people make — should I marry this person? Any life story is by definition a retrospective reconstruction, at least in part an outgrowth of native temperament.

Jonathan Adler, a researcher at Northwestern, has found that people’s accounts of their experiences in psychotherapy provide clues about the nature of their recovery. At some level, talk therapy has always been an exercise in replaying and reinterpreting each person’s unique life story. They characterized their difficulty as if it were an outside enemy, often giving it a name (the black dog, the walk of shame). In a 2005 study reported in the journal Psychological Science, researchers at Columbia University measured how student participants reacted to a bad memory, whether an argument or failed exam, when it was recalled in the third person. The investigators found that the third-person scenes were significantly less upsetting, compared with bad memories recalled in the first person. This particular calamity — at least the third such conviction of vegan parents in four years — may be largely due to ignorance. You cannot create and nourish a robust baby merely on foods from plants.

This is not true of plant proteins, which are inferior in quantity and quality — even soy. Studies show that vegan breast milk lacks enough docosahexaenoic acid, or DHA, the omega-3 fat found in fatty fish. (Not here, though — perhaps because our farm policy is so soy-friendly.)

Though it’s not politically correct to say so, all diets are not created equal. Almost three decades after her initial work on Martin Boyd, Niall’s choice of subjects seems more unexpected and her sense of biography’s possibilities more liberal than those of the young Monash academic.

Another thing you once told me, while we were driving to an airport in the early 1990s: ‘I would like,’ you said, rather tentatively – because I think you were horrified at the idea of appearing self-important – ‘to write something of significance one day’. As at Phoenix, many attend university to improve their employment prospects. As our story opens, this set of non-university tertiary institutions had caught the interest of Commonwealth ministers. As the sole representative of tertiary education, it was obliged to meet accumulated expectations about what a university could and should do. Asthma kept her indoors, close to her mother. Hence student fees were reintroduced as a flat charge set by Canberra. The improvement in service has been so minimal that a new joke has taken hold — Please Hold Candle.

He said the blame for the country’s dilapidated condition lay with its leaders. Buhari, now the candidate of a popular opposition party, was ruler, torched tires, threw stones and trashed billboards in a rampage to express their anger that they had not been able to vote. Doherty said, that they discovered that their $16 million baby was going to need a serious course correction.

“You remember,” he added, “when they saw the iceberg, they tried to turn, but because of the inertia of the boat it was too late.” In a Broadway landscape currently filled with plays and boutique musicals “The Pirate Queen” is a behemoth: large scale, ambitious and one of the most expensive shows of the season, if not the most expensive.

Doherty, an affable married couple, began toying with the idea of a musical based on the life of Grace O’Malley, a legendary Irish clan leader who faced down Queen Elizabeth I. It had all the elements — bad guys, swordfights, love affairs and a strong heroine — and it was a show that would be filled with Irish music and dancing, a kind of production they had done before, rather fruitfully. Boublil (who had been working on a novel) and Mr. 2, after a long period of tech rehearsal, the actors finally took the stage of the 2,344-seat Cadillac Palace Theater in Chicago for the last dress rehearsal. Suddenly there it was, fully realized onstage with its 42-member cast and extravagant sets and costumes. He said he worries they will end up as poor, illiterate traders like him. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws.

If ever a movie had a case of the blues and the blahs, it’s “Spider-Man 3,” the third and what feels like the end of Sam Raimi’s big-screen comic-book adaptations. Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films. Ice Cube returns as star and executive producer of "Barbershop 2." His Calvin Palmer provides the common sense that holds the shop together, a glue it desperately needs.

The bittersweet aspects of the film add texture, though they can't supplant the lack of comedy; there were more laughs in Ice Cube's last picture, "Torque." The director Robinson Devor apparently would like viewers who watch his heavily reconstructed documentary, “Zoo,” to see it as a story of ineluctable desire and human dignity.