Subject: You gotta see this

From: "OU City Pharmacy" <[email-masked]>
Date: Fri, 31 Aug 2007 05:44:39 +0600

When the moneyed inner-city entrepreneur Quentin Leroux (Harry Lennix) builds a lavish competitor called Nappy Cutz right across the street from Calvin's shop, the battle is on — Calvin has to fight to keep his business alive.
Good Morning Denise.
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The director Robinson Devor apparently would like viewers who watch his heavily reconstructed documentary, “Zoo,” to see it as a story of ineluctable desire and human dignity. Much has been made of the film’s look, and it’s easy to see why. The cinematographer, Sean Kirby, has done some striking work here. In this comedy, a cop assumes a new identity in his valiant battle against crime: an elderly grandmother. Wendell, who works with a partner, Reyes (Jacob Vargas), out of an Airstream trailer he calls the Ellis Island of the Southwest, means no harm.

But if you like Lyle Lovett songs, Thomas McGuane novels and sardonic country yarns sung by grizzled Texan “outlaws,” you’ll have no trouble slipping into its easygoing groove, fortified by its country-rock soundtrack. And a burst of new findings are now helping them make the case. By better understanding how life stories are built, this work suggests, people may be able to alter their own narrative, in small ways and perhaps large ones. Researchers have found that the human brain has a natural affinity for narrative construction.

Psychologists know what life stories look like when they are fully hatched, at least for some Americans. They also describe several crucial scenes in detail, including high points (the graduation speech, complete with verbal drum roll); low points (the college nervous breakdown, complete with the list of witnesses); and turning points. The wedding party was wonderful until the best man collapsed from drink. By contrast, so-called generative adults — those who score highly on tests measuring civic-mindedness, and who are likely to be energetic and involved — tend to see many of the events in their life in the reverse order, as linked by themes of redemption. — they draw on these stories implicitly, whether they know they are working from them or not,” Dr.McAdams said.

Adler reported on 180 adults from the Chicago area who had recently completed a course of talk therapy. And eventually they conquered it.

They find that one important factor is the perspective people take when they revisit the scene — whether in the first person, or in the third person, as if they were watching themselves in a movie. “What our experiment showed is that this shift in perspective, having this distance from yourself, allows you to relive the experience and focus on why you’re feeling upset,” instead of being immersed in it, said Ethan Kross, the study’s lead author. The emotional content of the memory is still felt, he said, but its sting is blunted as the brain frames its meaning, as it builds the story. Instead they go to a Koranic school, where they learn the Koran by rote. nusscoco nocalsch-archive888megatron.ietf.orgmo For all I know, there may be an endless supply of “Shrek” sequels in the pipeline. Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors. Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films.

As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun. The bittersweet aspects of the film add texture, though they can't supplant the lack of comedy; there were more laughs in Ice Cube's last picture, "Torque." Much has been made of the film’s look, and it’s easy to see why.

When a bank robber escapes from prison and goes on a violent crime spree, Malcolm is assigned to bring him in. However, the house is owned by Big Momma (Ella Mitchell), an older woman with a sharp tongue and no patience for back talk, and when Big Momma has to leave town, it leaves her house suspiciously empty.Determined to maintain his cover, Malcolm disguises himself as Big Momma, and now has to convince Sherry (and everyone else in the neighborhood) that Big Momma's still in town. He said he worries they will end up as poor, illiterate traders like him. Unless the Shrek team wants to follow its hero into the dangerous swamps of mid-life, thus shifting his literary pedigree away from William Steig and in the direction of John Updike or Philip Roth, it may want to leave him in a condition of more-or-less happily ever after. The story this time unfolds as a series of increasingly dreary and teary melodramatic encounters regularly interrupted by special-effects-laden fights. This film seems to be "All About the Benjamins," to use the title of an Ice Cube action comedy.

But although Ice Cube's business sense is right on the money, the minor surprises of the first film are gone. Much has been made of the film’s look, and it’s easy to see why. The cinematographer, Sean Kirby, has done some striking work here. Malcolm Turner (Martin Lawrence) is an FBI agent who is a master of disguise and will stop at nothing to get his man.

She, however, is running out of patience with his protracted adolescence. For my taste, a little goes a long way. Stories are stories, after all. And a burst of new findings are now helping them make the case. “When we first started studying life stories, people thought it was just idle curiosity — stories, isn’t that cool?

During a standard life-story interview, people describe phases of their lives as if they were outlining chapters, from the sandlot years through adolescence and middle age. They flunked sixth grade but met a wonderful counselor and made honor roll in seventh. But the point is that the narrative themes are, as much as any other trait, driving factors in people’s behavior, the researchers say. We find that when it comes to the big choices people make — should I marry this person?