Subject: Here's how you lost it

From: "Clyde S. Smith" <[email-masked]>
Date: Sat, 2 Jun 2018 06:19:53 -0400

You'd think these lotto winners would be THRILLED...

Instead, they are terrified, because they are starting to draw a lot of unwanted attention from the news officials.

Their secret to winning could demolish the entire U.S. lotto industry.

The good news for them is that there's absolutely nothing illegal about how they won the lottery.

Especially since the method they have been using to do it (which you can see here), is completely honest and ethical.

I guess these people are just scared because their lives are now so dramatically different thanks to winning the lotto on a regular basis...

And they don't want the government to make the lottery illegal.

This winning secret, if leaked, could cause lotto companies to go belly-up. 

Numbering
See also: Newline
Paragraphs are commonly numbered using the decimal system, where (in books) the integral part of the decimal represents the number of the chapter and the fractional parts are arranged in each chapter in order of magnitude. Thus in Whittaker and Watson's 1921 A Course of Modern Analysis, chapter 9 is devoted to Fourier Series; within that chapter §9.6 introduces Riemann's theory, the following section §9.61 treats an associated function, following §9.62 some properties of that function, following §9.621 a related lemma, while §9.63 introduces Riemann's main theorem, and so on. Whittaker and Watson attribute this system of numbering to Giuseppe Peano on their "Contents" page, although this attribution does not seem to be widely credited elsewhere.[7]

Section breaks
Main article: Section (typography)
Many published books use a device to separate certain paragraphs further when there is a change of scene or time. This extra space, especially when co-occurring at a page or section break, may contain an asterisk, three asterisks, a special stylistic dingbat, or a special symbol known as an asterism.

Purpose and style advice
A common English usage misconception is that a paragraph has three to five sentences; single-word paragraphs can be seen in some professional writing, and journalists often use single-sentence paragraphs.[1]

The crafting of clear, coherent paragraphs is the subject of considerable stylistic debate. Forms generally vary among types of writing. For example, newspapers, scientific journals, and fictional essays have somewhat different conventions for the placement of paragraph breaks.

English students are sometimes taught that a paragraph should have a topic sentence or "main idea", preferably first, and multiple "supporting" or "detail" sentences which explain or supply evidence. One technique of this type, intended for essay writing, is known as the Schaffer paragraph. For example, the following excerpt from Dr. Samuel Johnson's Lives of the English Poets, the first sentence is the main idea: that Joseph Addison is a skilled "describer of life and manners". The succeeding sentences are details that support and explain the main idea in a specific way.

As a describer of life and manners, he must be allowed to stand perhaps the first of the first rank. His humour, which, as Steele observes, is peculiar to himself, is so happily diffused as to give the grace of novelty to domestic scenes and daily occurrences. He never "o'ersteps the modesty of nature," nor raises merriment or wonder by the violation of truth. His figures neither divert by distortion nor amaze by aggravation. He copies life with so much fidelity that he can be hardly said to invent; yet his exhibitions have an air so much original, that it is difficult to suppose them not merely the product of imagination.

This advice differs from stock advice for the construction of paragraphs in Japanese (translated as danraku