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Date: Sun, 28 Oct 2007 02:40:25 -0800

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A movie featuring Ice Cube bellowing "No more profanity. This film seems to be "All About the Benjamins," to use the title of an Ice Cube action comedy. It is, rather more coyly, also about a man who died from a perforated colon after he arranged to have sex with a stallion. The prowling camera and dusky colors give much of “Zoo,” which opens with the portentous image of what appear to be miners emerging from a tunnel, a sumptuous, almost velvety look and vibe, an effect enhanced by the repeated use of slow-motion photography. Venture capitalist: that’s the misleading job description preferred by the title character of the slight and silly “Wendell Baker Story.” Wendell (Luke Wilson), a cheerful Texan slacker, runs a profitable operation on the Tex-Mex border selling fake driver’s licenses to illegal migrant workers. 

For my taste, a little goes a long way. They have largely ignored the first-person explanation — the life story that people themselves tell about who they are, and why. Generous, civic-minded adults from diverse backgrounds tell life stories with very similar and telling features, studies find; so likewise do people who have overcome mental distress through psychotherapy. People tend to remember facts more accurately if they encounter them in a story rather than in a list, studies find; and they rate legal arguments as more convincing when built into narrative tales rather than on legal precedent. 

“Younger kids see themselves in terms of broad, stable traits: ‘I like baseball but not soccer,’ ” said Kate McLean, a psychologist at the University of Toronto in Mississauga. During a standard life-story interview, people describe phases of their lives as if they were outlining chapters, from the sandlot years through adolescence and middle age. They also describe several crucial scenes in detail, including high points (the graduation speech, complete with verbal drum roll); low points (the college nervous breakdown, complete with the list of witnesses); and turning points. Instead they go to a Koranic school, where they learn the Koran by rote.  Unless the Shrek team wants to follow its hero into the dangerous swamps of mid-life, thus shifting his literary pedigree away from William Steig and in the direction of John Updike or Philip Roth, it may want to leave him in a condition of more-or-less happily ever after.

But then again, so did my kids.) After exploring the predominance of violence in American culture in Bowling for Columbine and taking a critical look at the September 11th attacks in Fahrenheit 9/11, activist filmmaker Michael Moore turns his attentions towards the topic of health care in the United States in this documentary that weighs the plight of the uninsured against the record profits of the pharmaceutical industry.

For all I know, there may be an endless supply of “Shrek” sequels in the pipeline. Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors. As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun. The director Robinson Devor apparently would like viewers who watch his heavily reconstructed documentary, “Zoo,” to see it as a story of ineluctable desire and human dignity. annenfutter nocalsch-archive888lists.ietf.orgmo The cinematographer, Sean Kirby, has done some striking work here. Big Momma's House gained considerable pre-production publicity when Lawrence fell into a coma while jogging in a heat wave before the film's start date; Lawrence claimed that he was trying to lose weight to fit more comfortably into his character's "fat suit."  Wendell, who works with a partner, Reyes (Jacob Vargas), out of an Airstream trailer he calls the Ellis Island of the Southwest, means no harm.

This shambling, good-natured comedy is a Wilson family affair. The appeal of “The Wendell Baker Story” depends on how charming you find the Wilson brothers, with their chipmunk grins and hip smart-aleck attitude. But if you like Lyle Lovett songs, Thomas McGuane novels and sardonic country yarns sung by grizzled Texan “outlaws,” you’ll have no trouble slipping into its easygoing groove, fortified by its country-rock soundtrack.

Smirks are to be had, but no belly laughs. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws.(This may be why I liked it better than the others. Raimi as it has Peter Parker, but it seems as if it has zapped his gracious good humor, which was so critical to the first two films. " — and meaning it — should produce a lot more laughs than this intermittently amusing sequel. This film seems to be "All About the Benjamins," to use the title of an Ice Cube action comedy. With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery. 

He said he worries they will end up as poor, illiterate traders like him. For all I know, there may be an endless supply of “Shrek” sequels in the pipeline. That DreamWorks ogre’s skin is the color of money after all. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. 

The current installment finds him faced with impending fatherhood and something of a career crisis. He makes about $2 a day, and cannot afford to send his sons to school. He said he worries they will end up as poor, illiterate traders like him. For all I know, there may be an endless supply of “Shrek” sequels in the pipeline. The current installment finds him faced with impending fatherhood and something of a career crisis.

But then again, so did my kids.) After exploring the predominance of violence in American culture in Bowling for Columbine and taking a critical look at the September 11th attacks in Fahrenheit 9/11, activist filmmaker Michael Moore turns his attentions towards the topic of health care in the United States in this documentary that weighs the plight of the uninsured against the record profits of the pharmaceutical industry.

Idriss Abdoulaye sells water from a pushcart for 20 naira a jerry can, about 15 cents, to people like himself, too poor to have wells. The current installment finds him faced with impending fatherhood and something of a career crisis. Will he take over his father-in-law’s business or remain true to his vocation of bellowing and smashing things? He said he worries they will end up as poor, illiterate traders like him. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. (Ready or not, the studio is talking about a fourth.) Aesthetically and conceptually wrung out, fizzled rather than fizzy, this latest installment in the spider-bites-boy adventure story shoots high, swings low and every so often hits the sweet spot, but mostly just plods and plods along, as if its heart were pumping tired radioactive blood. As it happens, the over-all shape does recall a Busby Berkeley musical — snappy story, lavish number, snappy story, lavish number — but without the snap or fun.

The bittersweet aspects of the film add texture, though they can't supplant the lack of comedy; there were more laughs in Ice Cube's last picture, "Torque." The prowling camera and dusky colors give much of “Zoo,” which opens with the portentous image of what appear to be miners emerging from a tunnel, a sumptuous, almost velvety look and vibe, an effect enhanced by the repeated use of slow-motion photography. Big Momma's House gained considerable pre-production publicity when Lawrence fell into a coma while jogging in a heat wave before the film's start date; Lawrence claimed that he was trying to lose weight to fit more comfortably into his character's "fat suit." 

The appeal of “The Wendell Baker Story” depends on how charming you find the Wilson brothers, with their chipmunk grins and hip smart-aleck attitude. Smirks are to be had, but no belly laughs.And a burst of new findings are now helping them make the case. People tend to remember facts more accurately if they encounter them in a story rather than in a list, studies find; and they rate legal arguments as more convincing when built into narrative tales rather than on legal precedent. YouTube routines notwithstanding, most people do not begin to see themselves in the midst of a tale with a beginning, middle and eventual end until they are teenagers. They also describe several crucial scenes in detail, including high points (the graduation speech, complete with verbal drum roll); low points (the college nervous breakdown, complete with the list of witnesses); and turning points. The pride of college graduation is spoiled when a friend makes a cutting remark. 

In broad outline, the researchers report, such tales express distinctly American cultural narratives, of emancipation or atonement, of Horatio Alger advancement, of epiphany and second chances. But the point is that the narrative themes are, as much as any other trait, driving factors in people’s behavior, the researchers say. Any life story is by definition a retrospective reconstruction, at least in part an outgrowth of native temperament. Yet the research so far suggests that people’s life stories are neither rigid nor wildly variable, but rather change gradually over time, in close tandem with meaningful life events. 

At some level, talk therapy has always been an exercise in replaying and reinterpreting each person’s unique life story. Yet Mr.Adler found that in fact those former patients who scored highest on measures of well-being — who had recovered, by standard measures — told very similar tales about their experiences. That DreamWorks ogre’s skin is the color of money after all. Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors. If ever a movie had a case of the blues and the blahs, it’s “Spider-Man 3,” the third and what feels like the end of Sam Raimi’s big-screen comic-book adaptations.

A movie featuring Ice Cube bellowing "No more profanity. But although Ice Cube's business sense is right on the money, the minor surprises of the first film are gone.

The prowling camera and dusky colors give much of “Zoo,” which opens with the portentous image of what appear to be miners emerging from a tunnel, a sumptuous, almost velvety look and vibe, an effect enhanced by the repeated use of slow-motion photography. Characters don’t just walk in this film; they float across the frame, pouring like liquid toward their inexorable destinies. For all I know, there may be an endless supply of “Shrek” sequels in the pipeline. In the first movie Shrek (voiced by Mike Myers) met and wooed his lady love, Fiona (Cameron Diaz); in the second he got to know the in-laws. Which is only to say that “Shrek the Third,” directed by Chris Miller and Raman Hui from a script with a half-dozen credited begetters, already feels less like a children’s movie than either of its predecessors. (This may be why I liked it better than the others. With the decline of manufacturing and few formal jobs, many residents make a meager living off one another’s misery.

Instead they go to a Koranic school, where they learn the Koran by rote. He said he worries they will end up as poor, illiterate traders like him. (This may be why I liked it better than the others.

(Ready or not, the studio is talking about a fourth.) Aesthetically and conceptually wrung out, fizzled rather than fizzy, this latest installment in the spider-bites-boy adventure story shoots high, swings low and every so often hits the sweet spot, but mostly just plods and plods along, as if its heart were pumping tired radioactive blood. Success may not have spoiled Mr.