Subject: Angel wants Angelica to check out this link

From: "Sherri A." <[email-masked]>
Date: Wed, 17 Oct 2007 03:41:36 -0100

But there is nonetheless a feeling of finality about “Shrek the Third,”
a sense that the tale has at last reached a state of completion.

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Unless the Shrek team wants to follow its hero into the dangerous
swamps of mid-life, thus shifting his literary pedigree away from William
Steig and in the direction of John Updike or Philip Roth, it may want to
leave him in a condition of more-or-less happily ever after. The story this
time unfolds as a series of increasingly dreary and teary melodramatic
encounters regularly interrupted by special-effects-laden fights. As it
happens, the over-all shape does recall a Busby Berkeley musical — snappy
story, lavish number, snappy story, lavish number — but without the snap or
fun. The director Robinson Devor apparently would like viewers who watch his
heavily reconstructed documentary, “Zoo,” to see it as a story of
ineluctable desire and human dignity. Malcolm Turner (Martin Lawrence) is
an FBI agent who is a master of disguise and will stop at nothing to get his
man.

Determined to maintain his cover, Malcolm disguises himself as Big Momma,
and now has to convince Sherry (and everyone else in the neighborhood) that
Big Momma's still in town. For my taste, a little goes a long way. Smirks
are to be had, but no belly laughs. fondduck
nomobileip-archive888lists.ietf.orgmo They have largely ignored the
first-person explanation — the life story that people themselves tell about
who they are, and why.

Moreover, the tone, the lessons, even the facts in a life story can all
shift in the changing light of a person’s mood, its major notes turning
minor, its depths appearing shallow. “When we first started studying life
stories, people thought it was just idle curiosity — stories, isn’t that
cool? McAdams, a professor of psychology at Northwestern and author of the
2006 book, “The Redemptive Self.” “Well, we find that these narratives guide
behavior in every moment, and frame not only how we see the past but how we
see ourselves in the future.” They also describe several crucial scenes in
detail, including high points (the graduation speech, complete with verbal
drum roll); low points (the college nervous breakdown, complete with the
list of witnesses); and turning points. The wedding party was wonderful
until the best man collapsed from drink.

But the point is that the narrative themes are, as much as any other trait,
driving factors in people’s behavior, the researchers say. Adler reported on
180 adults from the Chicago area who had recently completed a course of talk
therapy.